آمار
| تعداد نشریات | 31 |
| تعداد شمارهها | 996 |
| تعداد مقالات | 8,777 |
| تعداد مشاهده مقاله | 9,371,097 |
| تعداد دریافت فایل اصل مقاله | 7,675,055 |
Immanent Indeterminacy: Tracing Postmodernity in John Banville’s Neo-Realist Novel The Sea | ||
| Journal of Research in Applied Linguistics | ||
| مقاله 7، دوره 10، شماره 1، تیر 2019، صفحه 155-171 اصل مقاله (498.32 K) | ||
| نوع مقاله: Research Article | ||
| شناسه دیجیتال (DOI): 10.22055/rals.2019.14183 | ||
| نویسندگان | ||
| Mahya Haji Gholam؛ Mona Hoorvash* | ||
| Department of English Language and Literature, Faculty of Literature, Alzahra University, Tehran, Iran | ||
| چکیده | ||
| This study aimed at exploring the ontological indeterminacies of The Sea (2005), a novel by John Banville using the postmodern catena put forth by Ihab Hassan. Hassan’s catalogue of the features of postmodern fiction includes indeterminacy, fragmentation, decanonization, selflessness, depthlessness, the unpresentable/unrepresentable, irony, hybridization, carnivalization, performance, participation, constructionism, and immanence. In the present study, the use of each of these traits was traced in the novel and the appropriateness of these techniques with regard to the world of the novel was studied. Max Morden, the protagonist, desperately excavates his memories in search of a meaning for life, but in vain. The postmodern features incorporated in the narrative of the novel help uncover the inconsistencies of the subject’s mind when faced with an indeterminate world. | ||
| کلیدواژهها | ||
| Indeterminacy؛ Irish Literature؛ Postmodernism؛ 21st Century Fiction | ||
| مراجع | ||
|
Banville, J. (2005). The sea. New York: Knopf. Baudrillard, J. (1994). L'illusion de la fin [the illusion of the end]. Stanford, CA: Stanford University Press. Brooks, N., & Toth, J. (Eds.). (2007). The mourning after: Attending the wake of postmodernism (pp. 1-13). Amsterdam: Rodopi. Buford, B. (Ed.). (1983). Dirty realism [special issue]. Granta, 8, 4-5. Burke, K. (1984). Permanence and change: An anatomy of purpose (3rd ed.). Berkely, CA: University of California Press. Costello-Sullivan, K. (2016). My memory gropes in search of details: Memory, narrative, and founding traumas in John Banville’s the sea. Irish University Review, 46(2), 340-358. Crockett, C. (2007). Postmodernism and the crisis of belief: Neo-realism vs. the real. In N. Brooks & J. Toth (Eds.), The mourning after: Attending the wake of postmodernism (pp. 263-283). Amsterdam: Rodopi. Deleuze, G., & Guattari, F. (1987). A thousand plateaus: Capitalism and schizophrenia (B. Massumi, trans.). London: University of Minnesota Press. Facchinello, M. (2010). The old illusion of belonging: Distinctive style, bad faith, and John Banville’s The Sea. Estudios Irlandeses, 5, 33-44. Foucault, M. (2005). The order of things: An archaeology of the human sciences. Hove: Psychology Press. Hassan, I. (1985). The culture of postmodernism. Theory, Culture, and Society, 2(3), 119-131. Hassan, I. (1986). Pluralism in postmodern perspective. Critical Inquiry, 12(3), 503-520. Hassan, I. (1987). Toward a concept of postmodernism. In J. P. Natoli & L. Hutcheon (Eds.), A postmodern reader (pp. 273-283). Albany, NY: State University of New York Press. Hassan, I. H. (2001). From postmodernism to postmodernity: The local/global context. Philosophy and Literature, 25(1), 1-13. Haughton, H., & Radley, B. (2011). An interview with John Banville. Modernism/Modernity, 18(4), 855-869. Hutcheon, L. (2002). The politics of postmodernism (2nd ed.). London and New York: Routledge. Jie, Z. (2016). Towards an ethical subject: Mourning and memory in John Banville's The Sea. English Language and Literature, 62(3), 361-375. Kristeva, J. (1982). The powers of horror: An essay on abjection. (L. S. Roudiez, Trans.). New York: Columbia University Press. Kucala, B. (2016). Memory and the splitting of the self in John Banville’s The Sea. Lublin Studies in Modern Languages and Literature, 40(1), 9-23. Lyotard, J.-F. (2011). Miscellaneous texts: Aesthetics and theory of art. Leuven: Leuven University Press. McCaffery, L. (Ed.). (1995). After yesterday’s crash: The avant-pop anthology. Harmondsworth: Penguin. McHale, B. (2004). Postmodernist fiction. New York and London: Routledge. Mehrabi, B., & Maleki, N. (2010). The sense of loss: Postmodern fragmented identity in three plays of Sam Shepard. Journal of Research in Applied Linguistics, 1(1), 101-114. Moosavinia, S. R., & Hosseini, S. M. (2012). Janus-faced madness in Bessie Head’s a question of power. Journal of Research in Applied Linguistics, 3(2), 135-150. Olsen, L., & Amerika, M. (Eds.). (1995). In memoriam to postmodernism: Essays on the avant-pop. San Diego, CA: San Diego State University Press. Rebein, R. (2001). Hicks, tribes and dirty realists: American fiction after postmodernism. Lexington, KY: University Press of Kentucky. Saldívar, R. (2011). Historical fantasy, speculative realism, and postrace aesthetics in contemporary American fiction. American Literary History, 23(3), 574-99. Simons, H. W. (1989). The legacy of Kenneth Burke. Madison, WI: University of Wisconsin Press. Turner, T. (1996). City as landscape: A post-postmodern view of design and planning. London: Chapman & Hall. Wallace, D. F. (1993). E unibus pluram: Television and U.S. fiction. Review of Contemporary Fiction, 13(2), 151-194. Wolfe, T. (1989). Stalking the billion-footed beast: A literary manifesto for the new social novel. Harper’s Magazine, 279(1674), 45-56. Wondrich, R. G. (2000). Postmodern love, postmodern death, and godlike authors in Irish fiction: The case of John Banville. Bells: Barcelona English Language and Literature Studies, 11, 79-88. Wrethed, J. (2014). A momentous nothing: The phenomenology of life, ekphrasis and temporality in John Banville’s The Sea. In R. Moi, B. Boyce, & C. I. Armstrong (Eds.), The crossings of art in Ireland (pp. 183-211). Oxford and Bern: Peter Lang. | ||
|
آمار تعداد مشاهده مقاله: 846 تعداد دریافت فایل اصل مقاله: 1,028 |
||